Dale Miller: Fingerpicking Rags And Other Delights

 

Summary

Format: CD

Genre:  Folk/Folk-blues/Jazz/Pop

Tracks: 21

Playing time:  38 minutes

Availability (out of 3): **

Related website(s): http://www.dalemiller.com

My rating:  10/10

I like…  The variety of genres, the upbeat feel, the rich tone

I’m less keen on…   Some of the tracks are very short, but then the album is really aimed at guitar players wanting to learn new tunes and arrangements

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Not only did the “folk revival” in America in the 1960s see the rediscovery of some great performers from, several decades earlier, it also saw a new generation of would-be guitar players. Many set themselves to learning the styles of the likes of Mississippi John Hurt, Reverend Gary Davis and Son House.  Some tracked down the music of other players, long dead, from the 1920s and 1930s. Blues and ragtime guitar challenged their dedication and co-ordination.

 

A number of players married the fingerpicking styles of some of the greats to compositions of their own, or to a range of tunes from folk or pop traditions. This album is a case in point. Continue reading “Dale Miller: Fingerpicking Rags And Other Delights”

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Mississippi John Hurt: Library Of Congress Recordings

Summary

Format: CD (2 discs)mjh-congress-cover

Genre:  Blues/Folk blues

Tracks: 35

Playing time:  108 minutes

Availability (out of 3): **

Related website(s):  http://mississippijohnhurtfoundation.org; for footage and tutorial material: http://www.guitarvideos.com

My rating: 10/10

I like…  The warm, gentle singing and nimble guitar playing, the upbeat feel

I’m less keen on…  –

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Not all acoustic blues will appeal to a newcomer to the genre. I feel that Mississippi John Hurt is a great starting place.

Firstly not all his music was, strictly blues, but came from a wider range of material. Many of the songs he recorded are upbeat and melodic rather then melancholic and strident. Secondly, as the great Doc Watson and Stefan Grossman described them, even Mississippi John’s blues had a happy feel to them!

He recorded a few songs in 1928 and was rediscovered in the 1960s American folk revival, where he endeared himself to a new generation of fans, many of whom learned to play and sing some of his songs.

I love Mississippi John’s guitar playing. It’s tuneful, often mirroring the melody line, and generally gentle and nimble. He plays a steady, alternating bass and weaves the melody over it, with some nice syncopation and bass runs. I play a number of his songs on guitar myself.

Who?

I’ve already given away part of the game. John passed into obscurity Continue reading “Mississippi John Hurt: Library Of Congress Recordings”